![]() ![]() But suddenly demonetization is announced here, then I have started to weave the pig’s belly with cane as the money became useless to others. I have made this wild pig as you know that piggy bank is very popular among the children as they love to keep their personal savings. I am thankful to my father and mother and forefathers who taught me this craft. I focus on my quality of my craft products and designs, motifs, colours combinations, shapes, patterns and collaboration. I made my collection on my themes and concepts. I love our traditional craft and its technique, methods, process. My traditional Kutch weaving designs have names such as ”dhulki”, ”dhunglo”,(represent triangle or mountain ), ”chomukh”, ”landhar” (represent snake flowing),”saat kanni”. I walk on the pieces with sari design arranged in a Kolam and harvest the crushed pieces resembling pigments of the East. The ephemeral drawing progressively disappears. The ceramic pieces convey the ritual of Kolam that marks the entrance to a home in parts of India/Sri Lanka. Varuni Kanagasundaram (Melbourne, Australia)īeneath my feet, ceramic Textile in Porcelain slip, Dark clay body, stain, glaze, w27 x d23 x h8 cm This act provides a structure, order and meaning to people’s lives, says the conviction, so it is important that the object-amulet in this act be enshrined as an object of power to allow the will connected with the divine to be able to materialise its desire. The materialization of this connection is performed with a ritual. The amulet pendant is treasured in the heart and its form expresses an unconscious gesture, the live movement, like a living seed about to germinate. The material was always there waiting for someone to transform it and again inevitably it always symbolizes fertility, abundance, prosperity and creativity. In this sense, the unconscious form of my amulet is loaded with power. This encounter with my origins through the material (horn) is interesting if we think it preserves the past, because inevitably magical powers were attributed to the form or material. ![]() In that sense, this material is representative of my prosperity and good fortune in my family also has meant the development, creativity and movement, “fertility”. The horn is a material that is closely linked to my origins, because my grandfather and my father used to make their craft as a form of family subsistence. Thus we can refer to the Greek myth of the Cornucopia or Horn of Plenty, which has been depicted as a symbol of abundance for some Eastern and Western cultures, that is still present and has taken shape in the collective imagination as a recurrent symbol which is usually depicted as a horn-shaped container overflowing with flowers, beads or other things that symbolize wealth. Fertility not only refers to the reproductive capacity of beings, plants, animals or humans, it is also becoming, development, creativity, evolution and movement that rejects inertia and advances life. “The creator gives the power to give to him who has everything he wishes”. This means that Emma can also conduct Mediation Information and Assessment Meetings (MIAM.) Emma has been able to continue her mediation practice online during Covid 19.Įmma is qualified to see children as part of the mediation process (CIM) and also works as a supervisor to other mediator colleagues as a Professional Practice Consultant (PPC.) Emma also completed the Resolution training in February 2018 in using an advanced Hybrid mediation practice model, whereby the lawyers of separating couples can have a more direct and constructive role in the process.WALKA, Cornucopia, 2011_ongoing, horn, silver, silk, 6 x 2 x 2cm, photo: Karen Clunes Emma achieved the family mediation ‘gold standard’ with accreditation by the Family Mediation Council and Law Society in 2013. Professional development Expand dropdownĮmma Bugg is a highly experienced family mediator and lawyer.Įmma Bugg has worked with separating families in the St Albans, Harpenden and Hemel Hempstead area for over 25 years first as a Solicitor, then continuing her journey into Dispute Resolution training as a Collaborative Lawyer in 2005, and then working as a Family Mediator since 2010. ![]() Menu Search for something Submit search query Search
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